TONSPUR_display #16 • Helena Wikström • Time To Listen

Time To Listen

Helena Wikström
92th TONSPUR-Artist-Redidence at Museumsquartier Wien
https://www.mqw.at/de/artists-in-residence/helena-wikstrom

TONSPUR_display • MuseumsQuartier Wien
20 APR–3 JUN 2026 • daily 10 am–8 pm
Opening: So 19 APR 2026, 5 pm
Opening Remarks: Cecilia Andersson curator Bildmuseet Umeå University, Sweden – read

Helena Wikström
Time To Listen
2026
2 painted Papier-mâché sculptures (40 x 20 cm),
branches, painted with dutch metal (varied sizes),
handdrawn animated videoloop (2023, 5 sec., silent)

In his autobiography I Confess That I Have Lived, Pablo Neruda writes: “The best thing I have collected in my life was my seashells. They enchanted me immensely with their wonderful structure: the moon-white purity of a rare porcelain combined with the great diversity of forms, adequate, gothic, functional.” It is also worth noting that Sigmund Freud loved collecting seashells and that Carl Jung said in one of his lectures that all objects of desire “tend to pull the ego out of its comfortable shell”.
Many of us have learned that it is the sea that is heard when we hold the shell of a mussel against our ear. There, between the two shells; the ear’s auricle, its outer shell, and the seashell something happens. A concentration — a meeting — an expectation that is awakened. The ability to carry with it a memory of a sound — a wave. The truth is that what is heard in the shell is sound from outside that resonates in the convolutions of the shell.
The inner structure of the human ear is anatomically named after the Greek word for shell, cochlea, because of their similarity. The eardrum itself (the size of a garden pea) is filled with water, it acts as a transducer. Its main task is to convert mechanical movements (vibrations) into electrical nerve signals that the brain then interprets.
We are the ones who fill the shell with sound — listen carefully and you will hear.