PAUL D. MILLER – DJ SPOOKY AKA THAT SUBLIMINAL KID

PAUL D. MILLER – DJ SPOOKY ALS FULBRIGHT-SPECIALIST BENANNT • TONSPUR KUNSTVEREIN WIEN ALS FULBRIGHT- SPECIALIST-GASTINSTITUTION ANERKANNT

„Fulbright Austria freut sich sehr, Paul D. Miller, alias DJ Spooky, als Fulbright-Spezialisten für 2025–26 begrüßen zu dürfen und erneut mit seinem Gastgeber, dem TONSPUR Kunstverein Wien, zusammenzuarbeiten. Pauls vierwöchiger Aufenthalt unterstreicht unser erneutes Engagement für die Förderung des kreativen Austauschs zwischen Österreich und den Vereinigten Staaten durch innovative künstlerische Initiativen.“
Hermann Agis, Geschäftsführer, Fulbright Austria

Wir freuen uns sehr auf die Zusammenarbeit mit PAUL D. MILLER ^AKA DJ SPOOKY – THAT SUBLIMINAL KID
Georg Weckwerth – Künstlerischer Leiter Tonspur Kunstverein Wien
Wien – Oktober 2025

Paul D. Miller aka DJ Spooky is currently at work on two books – one about the impact of algorithms on how we think of storytelling – Digital Fiction for Duke University Press, and The Future of Food, about the impact of AI on how we think of the production of food in the 21st Century. He was Artist in Residence at Yale University Center for Collaborative Arts and Media (2023-2024). He is a composer, multimedia artist, and writer whose work engages audiences in a blend of genres, global culture, and environmental and social issues. Miller has collaborated with an array of recording artists, including Ryuichi Sakamoto, Metallica, Chuck D from Public Enemy, Steve Reich, and Yoko Ono amongst many others. His 2018 album, DJ Spooky Presents: Phantom Dancehall, debuted at #3 on Billboard Reggae.

His large-scale, multimedia performance pieces include “Rebirth of a Nation,” Terra Nova: Sinfonia Antarctica, commissioned by the Brooklyn Academy of Music, and Seoul Counterpoint, written during his 2014 residency at Seoul Institute of the Arts. His multimedia project Sonic Web premiered at San Francisco’s Internet Archive in 2019. He was the inaugural artist-in-residency at the Metropolitan Museum of Art’s The Met Reframed, 2012-2013.

In 2014, he was named National Geographic Emerging Explorer. He produced Pioneers of African American Cinema, a collection of the earliest films made by African American directors, released in 2015. Miller’s artwork has appeared in the Whitney Biennial, The Venice Biennial for Architecture, the Miami/Art Basel fair, and many other museums and galleries.

His books include the award-winning Rhythm Science, published by MIT Press in 2004; Sound Unbound, an anthology about digital music and media; The Book of Ice, a visual and acoustic portrait of the Antarctic, and; The Imaginary App, on how apps changed the world. His writing has been published by The Village Voice, The Source, and Artforum, and he was the first founding Executive Editor of Origin Magazine.

taken from his website, https://djspooky.com/bio/